Briefly about God of Martial Arts Manga:
Good theme. The hero is brutal and pathos-laden. He is kind and loyal to his friends, ruthless to his enemies. Anyone who dares to humiliate him or underestimate him is savagely hacking to pieces. As this cruel world implies. There’s a lot of potential in this story. It’s really very good. I can’t say anything against it, I liked it too much. It’s got everything you need for the top at the moment. I can say with confidence that this webcam will be in the top 3. In the manga events are flying by leaps and bounds, because of this a lot is missing.
For example: reborn and bam immediately lvl. He just got beaten to death) because of this all the work of the hero. Then and blood gain strength) that is written in the novel just flies to the tails of the dogs. And the hero is shown to be a reader and all the charm of the work is just in tatters.
Very interesting manga. I love stories where the main character takes out everyone. It’s also a bit like “The Star Martial Arts God Technique”. But it’s a lot easier to read, and it’s not a cliche yet.)Somehow mysteriously, this manhwa, with its better drawings, manages to break the “ceiling” of the martial arts peak. With its smaller volume, the clichéd “classic Chinese cultivator” is even stronger than the “1000+ masterpiece”.
The hero is offending and vengeful. The revenge arcs can be stretching as long as you like. It feels like the author was drawing a manhwa for the particularly oppressed. Where the hero is literally for every sneeze, every oblique look in his direction. Or verbal and non-verbal insult arranges a massacre. And then makes a long speech in the style of the ancient Greek sophists, and it’s like he’s not involved. With this approach, the arcs of any characters, characters, and development are simply absent as a rudiment.
They are unnecessary, because literally all of the characters (not from the Haremnic) behave exactly as they should be brutally murdered as soon as possible (within two chapters). Haremnic characters are nothing at all, because apart from the design and the opening monologue they have nothing. They only appear for the sake of fights or filler inserts, and then disappear for a n-number of chapters. Their only difference from the negative and neutral characters is that they don’t die.
However, the author apparently thinks his work is exceptional. So exceptional, in fact, that it is worthy of interpretation! Otherwise, how else to explain the fact that at the end for the third party’s explanation of the hero’s actions and his praise, the author takes just frames. And frames littered with monotonous text explaining the obvious. This is actually a sign of over-the-top screenwriting prowess.
